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Showing posts with label Literature. Show all posts
Showing posts with label Literature. Show all posts

The Diary of an Ordinary Life


I cannot resist a good book list. You know the kind... tips on what to read from friends, writers, journalists, bloggers, you name it -- I am interested in the books that other people love. After all, I am always looking for something good to read. I file the lists away in notebooks or my memory (not always the Most reliable source) and eventually obtain the books. But my favorite source for book suggestions comes from interviews with writers. The New York Times Sunday Book Review  features an interview with a writer each week called "By The Book." Other newspapers and magazines do the same. The interviewer inevitably asks the following questions: what book is on your night stand right now, which book made you want to become a writer, do you prefer books that make you laugh or cry, which book do you return to over and over, which book has taught you important life lessons, and which book do you read simply because you love it and it makes you smile.

One book that keeps cropping up in these interviews (especially in answer to the last question) is The Diary of a Provincial Lady by E.M. Delafield. After hearing about it for so many years, I finally read it and am so happy that I did. This book is utterly charming and laugh-out-loud funny. It is one of those books that takes you by surprise. It sort of sneaks up on you and wins you over when you are not looking.

And so you might ask, what exactly is "The Diary of a Provincial Lady"? Many people today are unfamiliar with it. But when it was published in the 1930's, this book was very popular. It seemed to hit a nerve with many people who thought it sounded very much like their own lives. "The Diary of a Provincial Lady" is a fictional diary, a novel written in the form of a journal that covers the course of one year. The "lady" in question, who is never named, is a middle-class English woman with two children and a husband living in a country village in England during the 1930's. She is married to the remote and incommunicable Robert and has two adolescent children, a son named Robin and a daughter named Vicky, whom she adores. Her husband is the land agent to the local noble family, represented by the high-handed and superior-acting Lady Boxe. She has the irritating habit of just dropping in and always managing to make our "lady" feel inadequate. The other inhabitants of the  house are the French governess, Mademoiselle; the parlor maid, Ethel; and the cook.

The heroine writes a daily journal of her domestic life and covers topics such as incompetent servants, the interminable visits of the vicar's wife, the village fundraisers of which she always seems to be the chair, keeping the peace between her disciplinarian husband and her spirited children, an incorrigible French governess, lack of hot water, a house that is never warm enough, and a perpetual shortage of money. She is insecure about her looks and her clothes, aspiring to but never quite succeeding in being chic. She has a dear friend Rose, the godmother to her children, who is widowed, childless and lives in London. Occasionally she goes to visit Rose and get a taste of her friend's glamorous and artistic life. These visits cause the heroine to write in her diary that she almost envies her widowed and childless friend, realizing with horror after reading what she has written the flawed nature of her thinking.

And this is where the humor of the book comes in. Although her diary entries record the quotidian events of her days and reflect the relentlessly domestic nature of her life, they also include biting and hilariously funny parenthetical asides that reflect her true feelings. She desperately wants to be known as a nice person and absolutely lives to keep the peace all around her, but she expresses subversive opinions and insightful observations about her household and village life. The contrast between her longing to please and the critiques displayed in her diary is where the comedy of the book exists. These parenthetical comments which usually begin with "Mem:" or "Query," are a humorous trope throughout the diary that allow the provincial lady a way to express her real feelings.

Many of the funniest diary entries involve the heroine's interactions her husband Robert, Lady Boxe, and the servants:

Here are a few examples:

December 11th. -- Robert, still harping on topic of yesterday's breakfast, says suddenly Why Not a Ham? to which I reply austerely that a ham is on order, but will not appear until arrival of R.'s brother William and his wife, for Christmas visit.  Robert, with every manifestation of horror, says Are William and Angela coming to us for Christmas?  This attitude absurd, as invitation was given months ago, at Robert's own suggestion.
(Query here becomes unavoidable: Does not a misplaced optimism exist, common to all mankind, leading on to false conviction that social engagements, if dated sufficiently far ahead, will never really materialize?)

December 16th. -- Very stormy weather, floods out and many trees prostrated at inconvenient angles.  Call from Lady Boxe, who says that she is off to the South of France next week, as she Must have Sunshine.  She asks Why I do not go there too, and likens me to a piece of chewed string, which I feel to be entirely inappropriate and rather offensive figure of speech, though perhaps kindly meant.
Why not just pop into the train, enquires Lady B., pop across to France, and pop out into Blue Sky, Blue Sea, and Summer Sun?  Could make perfectly comprehensive reply to this, but do not do so, question of expense having evidently not crossed Lady B.'s horizon.  (Mem.: Interesting subject for debate at Women's Institute, perhaps:  That Imagination is incompatible with Inherited Wealth.  On second thought, though, fear this has a socialistic trend.)
Reply to Lady B. with insincere professions of liking England very much even in the Winter.  She begs me not to let myself become parochially-minded.

March 4th. -- Ethel, as I anticipated, gives notice.  Cook says this is so unsettling, that she thinks she had better go too.  Despair invades me.  Write five letters to Registry Offices.

March 8th. -- Cook relents, so far as to say that she will stay until I am suited.  Feel inclined to answer that, in that case, she had better make up her mind to a lifetime spent together -- but naturally refrain.  Spend exhausting day in Plymouth chasing mythical house-parlourmaids.  Meet Lady B., who says the servant difficulty, in reality, is non-existent.  She has NO trouble.  It is a question of knowing how to treat them.  Firmness, she says, but at the same time one must be human.  Am I human? she asks.  Do I understand that they want occasional diversion, just as I do myself?  I lose my head and reply NO, that it is my custom to keep my servants chained up in the cellar when their work is done.  This flight of satire rather spoilt by Lady B. laughing heartily, and saying that I am always so amusing." 

January 20th. -- Take Robin, now completely restored, back to school.  I ask the Headmaster what he thinks of his progress.  The Headmaster answers that the New Buildings will be finished before Easter, and that their numbers are increasing so rapidly that he will probably add on a New Wing next term, and perhaps I saw a letter of his in the Times replying to Dr. Cyril Norwood?  Make mental note to the effect that Headmasters are a race apart, and that if parents would remember this, much time could be saved.
Robin and I say good-bye with hideous brightness, and I cry all the way back to the station.

January 22. -- Robert startles me at breakfast by asking if my cold -- which he has hitherto ignored -- is better.  I reply that it is has gone.  Then why, he asks, do I look like that?  Refrain from asking like what, as I know only too well. Feel that life is wholly unendurable, and decide madly to get a new hat.
Customary painful situation between Bank and myself necessitates expedient, also customary, of pawning great-aunt's diamond ring, which I do, under usual conditions, and am greeted as old friend by Plymouth pawnbroker, who says facetiously, And what name will it be THIS time?

One of the most endearing characteristic of the heroine is that she has literary aspirations. She regularly submits essays and stories to literary competitions in her favorite magazines and frequently wins honorable mention if not the actual award. In addition to being literary, she is also very funny. She never complains or feels sorry for herself. She writes about her life in a dry and English way with a great deal of wit. Although she mostly leaves out feelings, clues to her emotions are scattered throughout and the reader can figure out what kind of person the provincial lady really is.

After finishing "The Diary of a Provincial Lady," I was happy to learn that there are several sequels. This is a good thing since I am not ready to say good-bye to her. I am looking forward to reading more about the adventures and misadventures of the "lady" of the house as she ventures outside the world of her country village and (hopefully) becomes a writer.

(Mem.: if ever asked do I prefer books that make me laugh or cry, I would answer books that do both. But if forced to choose, I would say laugh.)


Grey Gardens and Good Books

The film "Jane Eyre," 2011
Photo via here

A couple of weeks ago it was grey and drizzly here in Los Angeles and my thoughts turned to books such as Jane Eyre by Charlotte Bronte and other novels set in inclement climes where the characters are always putting on the kettle and making cups of tea. Poor Jane and all those grey and rainy days she endured. But she also enjoyed sunshine and flower-filled days when she was falling in love with Mr. Rochester. 

My garden on a grey day

"He strayed down a walk edged with box, with apple trees, pear trees, and cherry-trees on one side, and a border on the other full of all sorts of old-fashioned flowers, stocks, sweet-williams, primroses, pansies mingled with southernwood, sweet-briar, and various fragrant herbs. They were as fresh now as a succession of April showers and gleams, followed by a lovely spring morning could make them: the sun was just entering the dappled east, and his light illuminated the wreathed and dewy orchard-trees and shone down the quiet walks under them."
-- Charlotte Bronte, Jane Eyre

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But back to the weather here at home. Knowing that it will be hot soon enough, I couldn't help but welcome the grey skies that day. Everything outside looked beautiful and the misty weather combined with the green of the garden was a lovely sight. The greens take on a depth and richness on this kind of a day.  

My book club was meeting that morning and the drizzly weather was a perfect setting for the occasion. It was a great day to stay inside and talk about books. Our hostess has a lovely garden with old-fashioned and romantic elements such as climbing roses and wisteria, espaliered apple trees, fragrant herbs, vine covered arbors and a fountain. It looked beautiful on this misty day. (I could picture Jane Eyre and Mr. Rochester walking through it.) We decided it was too cold to eat on the patio and so we sat around the kitchen table and had a delicious lunch. Afterwards we gathered in the family room in front of a fire in the fireplace. Outside a light rain was falling and we were cozily ensconced in the warm environment our hostess had created. Everyone was very happy to be together, glancing occasionally through the window at the garden. We had a riveting discussion of a wonderful new book. 

The beautiful garden at the home of our hostess

Mary Coin by Marisa Silver is a new novel inspired by the famous 1936 Dorothea Lange photo "Migrant Mother." You know the one -- a young woman with a weathered face staring into the distance, with two children clinging to her. It was a photo that had a powerful effect on this country's attitudes towards the poor during the depression.

The novel is told through the viewpoints of three characters:  Mary Coin, a native American migrant laborer and mother of seven, the subject of the famous photo; Vera Dare, a polio-stricken photographer who takes the photo; and Walker Dodge, a present-day cultural historian who is exploring his own family's history in central California. His family was a major landowner in California and employed migrant workers. I especially loved the story of Vera Dare, the photographer. She was a woman with many disadvantages, but lived a bohemian life and pursued her artistic vision at a time when not too many women were artists. She struggled to be a good mother.
This book is about many things: art, motherhood and survival, to name just a few. It is about the affect that a monumentally famous photograph can have on the lives of the subject and the photographer. For me, the most powerful feature of the book is Marisa Silver's lyrical prose and the way it captures the essence of the migrant movement. I was reminded of the way I felt when I first read John Steinbeck's The Grapes of Wrath. The plight of the poor during the Depression is rendered by Marisa Silver in a way that goes straight to the heart. Dorothea Lange's photo and Marisa Silver's words both paint a powerful portrait of an unforgettable time in American history. You don't want to miss this book. 

Grey skies, gardens, good books -- they all came together for an inspiring and magical day. 


Thanks to Flowers and Stripes for reminding me of the quote from "Jane Eyre"

Call The Midwife


Have you been watching the wonderful show Call The Midwife that airs Sunday nights on PBS?  I am crazy about it and each time it opens with Vanessa Redgrave's voice narrating the story, I get a little emotional. Most episodes I am in tears by the end. Last week's was especially poignant as it juxtaposed a story about the general good health of babies born in the fifties with the issue of the unavailability of birth control and women having as many as 10 children while living in poverty.

The midwives, along with the nuns of Nonnatus House, provide free and safe maternity care to the impoverished women living in London in the 1950's. They deliver babies among the slums and dockyards of London's East End. They live along side the nuns at the convent and the relationships between the nuns and these modern girls are the heart of the show. They watch out for and respect each other, learning precious life lessons along the way. Their meals together around the big table in the convent's kitchen is a highlight of the show. As is the vision of the girls and the nuns making their rounds on bicycles wearing their prim uniforms with red cardigans and nurse's caps.


I recently read that writer and producer Heidi Thomas almost passed on this project, but after reading Jennifer Worth's memoirs, upon which the show is based, she was powerfully moved by the stories of the midwives, nuns, young women and mothers all living together in this part of London and the problems they all faced. She realized that the universal theme of childbirth with its inherent dangers as well as joys would be a powerful one and make fascinating viewing. She was right.

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If you want to be further immersed in this era of London during the 1950's, be sure to watch The  Bletchley Circle that is currently airing as part of Masterpiece Theatre. (Have you noticed the high quality of so many of the dramas on television right now? There seems to always be something good to watch.) The lead characters are four women who worked together during WW II in the espionage department of the government cracking enemy codes. After the war, they turn their analytical skills into solving murder mysteries in London in 1952. This show is fabulous!

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And if you would like to round out your picture of London in the fifties even more, throw in a Barbara Pym novel. I am happily rereading my favorite Excellent Women and adoring the story of the central character Mildred Lathbury and all her adventures in the little world she inhabits in London at this time. A clergyman's daughter and a spinster living in London, her life is shaken up by her glamorous new neighbors and unexpected developments for the vicar next door. She tells the story with humor and insight. Her world may be small, but her observations about human nature are universal. 

A Rose-Covered House


Where does your mind wander when you see an image? If you are like me and enjoy a certain kind of novel or mystery set in the English countryside, then you probably swoon at the sight of rose-covered houses. Is there anything more romantic? It is a sight that evokes the enchantment of a fairy tale. Remember the Madeline stories? "In an old house in Paris that was covered in vines, lived twelve little girls in two straight lines..." And it conjures up some of my favorite books and literary characters.   


I can picture a heroine from Henry James, Isabel Archer perhaps, peering through these windows. 


 And behind this window I can imagine characters from Jane Austen's novels -- maybe the Dashwood or the Bennet sisters. Having been forced out of their manor house, they are living in reduced circumstances and residing in a cottage, though a very charming one at that.


This could be the ramshackle castle where the young heroine of I Capture the Castle lived with her eccentric family, dreaming of romance and writing her diary while "sitting in the kitchen sink."


And it is easy to envision a witty Nancy Mitford heroine walking through this door at any moment
with the bucolic landscape of the Cotswolds as her backdrop.


Jane Eyre could easily have looked up and spied these scarlet climbing roses at Thornfield Hall.


 And virtuous May Welland, Newland Archer's fiance in The Age of Innocence, might have trembled as she imagined a not quite suitable female living behind these walls.


This could have been the window through which Miss Mapp first spied her rival Lucia in the Mapp and Lucia  books by E. F. Benson. 

Photo by Kimberly Wold

And Margaret Schlegel of E.M. Forster's Howards End could have gazed up at this rose-covered house and fallen in love with it.

We all have these Proustian moments when we see an image and are taken on a little journey into the past. Rose-covered houses remind me of my trip to the Cotswolds that I took a few years ago. The sight of them also takes me back to some of my favorite books set in the English countryside. Images from travel and books can stay with us forever. We file them away in our memory bank and don't even realize they are there until something sparks a remembrance. And then we are off...

Photos via Pinterest

A Welcoming Kind of House



"Cecilia's and Emmeline's house was in Oudernarde Road, which runs quietly down into Abbey Road, funnel of traffic and buses. It had big windows, arched stairs and wrought-iron steps at the back leading down to a small garden. Cecilia, hesitant over the agent's order, looking about at the temptingly sunny spaces of floor, had remarked: 'It's a long way from everybody we know...' But Emmeline said: 'We never know whom we are going to meet.' From the first glance the house had smiled at them and was their own. So here they had settled." 

--  from "To The North" by Elizabeth Bowen

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I have always loved this quote from To the North by Elizabeth Bowen. It is a poignant book about two young women in their twenties living together in London and finding their place in the world. One is an orphan and the other is newly widowed. Finding the right house is of paramount importance to their sense of safety and stability. The idea that "the house had smiled at them and was their own" struck me as so true. It made think about the elements that go into making a house a welcoming kind of place, a house that smiles at us and shelters us from the storm. A house that we love and and want to make our own. Of course it is different for everyone, but here are some ingredients that I think make a house a haven.

A cheerful front door

A cozy sitting room 

A fireplace

Window panes to look through on a rainy day

A sunny kitchen

Blue and white crockery

 A room with a view

A snug bedroom

A touch of tartan

A smattering of red

A room to call our own

Books and flowers

 A writing desk

A reading nook

Candlelight

Outdoor seating

Climbing roses


And last but not least, there is a certain something, a quality that is hard to define. It could be the lighting at dusk, the patina of the bricks or the fragrance of the garden. We may sense past generations who have lived there and we feel a connection. The emotion is strong, even mysterious. We are at home.


Images via Pinterest
Last image from Howards End

Enchanted April


"She jumped up, pulled on her slippers, for there was nothing on the stone floor but one small rug, ran to the window and threw open the shutters.  

"Oh!" cried Mrs. Wilkins.

All the radiance of April in Italy gathered together at her feet. The sun poured in on her. The sea lay asleep in it, hardly stirring. Across the bay the lovely mountains, exquisitely different in colour, were asleep too in the light; and underneath her window, at the bottom of the flower-starred grass slope from which the wall of the castle rose up, was a great cypress, cutting through the delicate blues and violets and rose-colours of the mountains and the sea like a great black sword.

She stared. Such beauty; and she there to see it. Such beauty; and she alive to feel it. Her face was bathed in light. Lovely scents came up to the window and caressed her. A tiny breeze gently lifted her hair. Far out in the bay a cluster of almost motionless fishing boats hovered like a flock of white birds on the tranquil sea. How beautiful, how beautiful. Not to have died before this...to have been allowed to see, breathe, feel this...She stared, her lips parted. Happy? Poor, ordinary, everyday word. But what could one say, how could one describe it? It was as though she could hardly stay inside herself, it was as though she were too small to hold so much  joy, it was as though she were washed through with light." 

-- from The Enchanted April by Elizabeth Von Arnim


Enjoy the first weekend of April!

Lovely Workspaces

I am intrigued by the rooms where creative people work. Writers, artists, interior designers, fashion designers, gallery owners, museum directors, entrepreneurs -- their choice of a workspace is fascinating to me. Do they keep it austere and serene or do they load it with inspiration? Do they work best with images on a bulletin board, favorite books on bookshelves, precious writing implements on their desk, windows with a view, great lighting or privacy? What element is most important to them? What are the ingredients that go into making their workspace a retreat, a haven where they can be creative? As Virginia Woof wrote, "A woman must have money and a room of her own if she is to write fiction." I am not sure that money is essential (think of J.K. Rowling), but a room of one's own seems to be ideal. Here are the workspaces of some very creative people. 

 Vita Sackville-West's writing tower at Sissinghurst Castle
Photo by National Trust John Hammond via here

What kind of a room does a writer need to produce great art? Vita Sackville-West, descended from British nobility, had her own tower at Sissinghurst Castle in Kent, England. It had views of the famous gardens she created. It was there that she wrote her novels, poems, essays and gardening articles. She was surrounded by her treasured books, Persian rugs, antique tapestries and portraits of her literary idols -- Virginia Woolf and the Bronte sisters.  

 Virginia Woolf's writing lodge
Photo by National Trust Eric Crichton via here

Virginia Woolf writing lodge at Monk's House, her home in East Sussex, England, was a much simpler affair. A former tool shed turned into a writing room, it was situated in the garden and had a view of the downs. This is where she wrote parts of all of her major novels. 

Virginia Woolf's desk
Photo by Eamonn McCabe via here


Edith Wharton's bedroom
Photo by Annie Leibovitz via here

Edith Wharton famously wrote her novels in bed, dropping the pages on the floor for her secretary Anna Bahlmann to gather up and type. Here is a recreation of Wharton writing in bed at her home The Mount in western Massachusetts, photographed by Annie Leibovitz for Vogue Magazine. Wharton wrote "The House of Mirth" in this room.


Jane Austen's desk
Photo by Eamonn McCabe via here

Jane Austen wrote at this desk near the front door of Chawton Cottage, her home in Hamsphire

 Haworth Parsonage in Yorkshire, England, the home of Charlotte Bronte
Photo by Eamonn McCabe via here

Charlotte Bronte wrote her books on this table in the dining room, a room that doubled as her study

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What about the artists, writers, designers, and creative spirits working today? Where do they like to work?

Artist and mapmaker Connie Brown of Redstone Studios at her studio in Durham, Connecticut
Photo by Caryn Davis via Connie Brown

Home decor and fashion designer Aerin Lauder's office
Photo by Pieter Estersohn via here

Nigella Lawson in her library
(photo source unknown)

Fashion designer Phoebe Philo at her atelier in London
Photo by Annie Leibovitz via here

 Bobbi Brown, founder of Bobbi Brown Cosmetics, in her New York office
Photo by Elizabeth Lippman via here

Jenna Lyons, creative director at J. Crew
Photo by Heather Clawson from her book Habitually Chic: Creativity at Work via here

Thelma Golden, director of The Studio Museum of Harlem
Photo by Heather Clawson via here

I am so inspired by these beautiful workspaces. Where do you like to work? What kind of space nourishes your creativity?